Gaultier, Valentino, Font close couture shows in Paris
This article was originally on a blog post platform and may be missing photos, graphics or links. See About archive blog posts.
The winter 2010 haute couture shows are over ... so here’s a final look -- at John Paul Gaultier, Valentino and Josep Font. Jenny Barchfield of the Associated Press reports:
‘Jean Paul Gaultier [pictured at left] looked to vintage Hollywood for a solid collection that was equal parts Ava Gardner and Gaultier — the one-time enfant terrible of French fashion — himself. ‘Things were looking up at Valentino. Its new design duo finally found their way out of the archive and forged a sexy new look for the mythic Italian label. Out went the ladylike day coats and tasteful A-line cocktail dresses in jewel-toned duchess silk; in came the second-skin bodice dresses in flesh-colored tulle and black lace; and up, way up, went the hemlines. ‘For his fourth couture display, Spanish designer Josep Font continued to shore up his avant-garde credentials with a ravishing collection of think pieces.’
At Valentino, Barchfield, writes, ‘the new design team aimed to seduce a younger, hipper clientele with a racy tulle and lace collection [check out the model at right] that projected the Valentino woman out of the past and into fashion’s future.’ She continues:
Maria Grazia Chiuri and Pier Paolo Piccioli — who last year replaced Valentino’s successor just two seasons after the maestro retired — had been stuck in the label’s archives. For their first two collections at the helm of the house, they delivered up couture and pret-a-porter collections that were ‘more Valentino than Valentino,’ full of gorgeous-but-dated coats and dresses embellished with oversized bows and roses. This time around, however, they swapped stateliness for sexiness, delivering bustiers in nude tulle with panels of black peek-a-boo lace and thigh-skimming skirts.
As for Josep Font, Barchfield proclaimed the Spanish designer ‘crazy’ and, possibly, ‘brilliant.’
‘Font pushes haute couture — that anything-goes laboratory of fashion — to its avant-garde extreme.
‘Models in his show Wednesday could barely walk — and it wasn’t on account of the vertiginous heels, as it is on many catwalks. Enveloped in a small mountain of mohair shag — a funnel-shaped coat — or swathed in endless in yards (meters) of featherlight chiffon — an embroidered tunic dress — and with pointy plastic collages balanced on their heads, the models did a strange geriatric shuffle around the catwalk.’
Indeed, some of Font’s creations [that’s one of his at left] look like illustrations from a modern version of ‘Through the Looking-Glass.’ We could envision a slimmer version of the Red Queen mincing ‘about in a white cocktail dress with a single red sleeve with an enormous puff that in profile resembled an oversized Sacred Heart’ (to quote Barchfield).
-- Alice Short
Pictures: Fall-Winter 2009/2010 Paris couture shows.
More blogs on the Paris couture shows
Follow the Image section on Twitter