Defying gravity is a balancing act
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When Xing Peng Jue, a member of the Peking Acrobats, performs his
chair act on the outdoor stage at the Orange County Fair, death
always looks a misjudgment away.
“I still get nervous,” said Patrick Keegan, the stage manager of
the Ralphs Park Plaza. “One day, we had some strong winds and they
got concerned. You could see it in their eyes, but he’s good at
concentrating.”
To the performer, it may be concentration. To spectators, it may
look like scrambling the laws of physics. During his act, presented
toward the end of the Peking Acrobats’ set, Xingplaces four glass
bottles on top of a platform, balances the legs of a chair on them,
then stands on the chair. As fellow acrobats deliver more chairs to
him, Xing stacks them one after another -- four, five, six -- until
his head nearly touches the roof above the stage.
By chair number six, those bottles don’t look very strong. Upon
reaching his summit, Xing does a handstand on top of the pile -- then
balances the top chair diagonally on the fifth one, and does a
handstand again. For good measure, he does it with one arm.
And there’s no safety net.
That’s little worry to Xing, who has done the trick for years
without ever falling.
“Ever since he was a little boy -- 6, 7 years old -- he’s
practiced every day,” said Peng Lian Jie, the only English-speaking
member of the Peking Acrobats. “Now he’s 19.”
The Peking Acrobats, who made their debut at the Orange County
Fair this year, have toured the world since 1985 presenting one of
China’s principal art forms. Acrobatics in Chinese culture date back
more than two millenniums, and thousands of boys and girls, like Xing
did, begin training when they are barely out of preschool.
Ken Hai, the artistic director of the Peking Acrobats, ventures to
China every few months to interview acrobats for the international
troupe. Hai, along with producers Don Hughes and Cynthia Dyke, books
performances for the group 11 months a year. Before their engagement
at the fair, the acrobats toured Italy for five weeks and performed
at the Hollywood Bowl.
The group’s half-hour show at the Orange County Fair is part
graceful athletics, part slapstick comedy. In one segment, five male
acrobats take turns leaping through a series of hoops at increasingly
difficult angles; in another, four women on unicycles kick plates
into the air and balance them on their heads. At one point, a small
group of men dress up as pizza chefs and spin plates on top of long
metal poles, racing back and forth to keep the poles vibrating so
that the plates remain on top.
Despite the often frivolous nature of the material, though,
Chinese acrobats approach their craft with deadly seriousness. In
ancient times, emperors used acrobats to impress foreign dignitaries,
and some popular routines have their origins in Buddhism. Hughes
noted that being a successful acrobat can move a person higher on the
social ladder -- particularly a woman approaching marriage age.
“In China, if you’ve got money, you can marry higher up on the
echelon,” Hughes said. “That’s what I’ve found with a lot of the
women. They work for a few years to save up their money, then they go
home and get married.”
* MICHAEL MILLER covers education and may be reached at (714)
966-4617 or by e-mail at [email protected].
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