‘Squabbles’ rich in contentious comedy
Tom Titus
There’s a moment near the end of Marshall Karp’s comedy “Squabbles,â€
now in residence at the Huntington Beach Playhouse, when the 73-year-old
widower lays out his philosophy of life as a senior citizen to his
daughter, who’s upset at his chosen lifestyle. Odds are it’ll draw
spontaneous applause, especially from the audience’s more mature members.
“Squabbles†is a formula comedy, but the formula works beautifully in
the Huntington Beach production. A couple in their thirties, with a baby
on the way, face the dilemma of having her father and his mother --
mortal enemies after she went after him at their wedding reception with a
cake cutter -- sharing their abode. It would work well as a TV situation
comedy, but it functions quite effectively as an opportunity for two
veteran stage actors to play the audience like a violin.
Director Gigi Fusco Meese knows all the right comic buttons to push,
and her cast responds with alacrity in this bouncy comedy, a reprise of a
play the theater had produced some 20 years before. Savage repartee and
chuckle-inducing sight gags abound throughout as the oldsters engage in
continual one-upmanship in word and deed while their hosts simmer and,
occasionally, lay down the law -- for all the good it will do.
Jerry DeCapua and Merry Clark are the put-upon progeny, a commercial
jingle writer and his lawyer wife who take on the roles of referees for
their combatant parents. DeCapua enacts his character with the slick
comic style of a young Dick Van Dyke (with a touch of Rich Little), while
Clark has the thankless straight role in a cast of clowns, but pulls it
off nicely -- particularly when enduring labor pains as pandemonium sets
in all around her.
The high point in hilarity is provided by Michael Fernandes-Olton as
Abe, the aforementioned senior citizen, a retired New York cabbie who
lives for confrontation. His polished delivery of Karp’s acerbic dialogue
is matched only by his uproarious “takes†as he reacts wordlessly but
eloquently to the conspiracy around him in a richly defined performance.
Ruth Siegall is his feisty opponent and, although she gives as good as
she gets, she’s the runner-up in this war of the words. Siegall mixes
calculated chicanery with blunt assault to establish her crotchety
character. She’s particularly effective in her “dream†dialogue,
calculating yet another insult to hurl at her elderly adversary.
Interrupting the action occasionally with a dose of comic ethnicity is
Ruben Collazo as the young couple’s Puerto Rican gardener, Hector, who
spends more time in their bathroom than in their yard. Mannny Siegall
nicely enacts Olton’s pinochle-playing buddy, while Adelina Peck
illustrates that grimaces speak louder than words as a sharp-tongued
nanny with a accent straight out of Transylvania.
Vincent Roca’s interior setting works well for the show, as does Adam
Michael Genzink’s lighting effects. Andrew Otero’s costumes and set
decoration complete an attractive picture.
“Squabbles†may be a lightweight entry in the playhouse’s season
schedule, but it’s certainly not light in the laugh department.
Audiences -- especially those in their “mature†years -- will get a
big kick out of this one.
* TOM TITUS reviews local theater for the Independent.
FYI
WHAT: “Squabblesâ€
WHERE: Huntington Beach Playhouse, Central Library Theater, 7111
Talbert Ave., Huntington Beach
WHEN: Thursdays and Fridays at 8 p.m., Saturdays at 3 and 8 p.m.,
Sundays at 2 and 7 p.m. until July 7
COST: $14 - $17
PHONE: (714) 375-0696
CUTLINE: Ruth Siegall goes after Michael Fernandes-Olton with a
stuffed
monkey in this scene from ‘Squabbles’ at the Huntington Beach
Playhouse.
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