Short scenes in the Noguchi garden
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Young Chang
Just when you thought Isamu Noguchi’s California Scenario sculpture
garden couldn’t make any more headlines, a bunch of artists have entered
the scene.
While Costa Mesa council members and Commonwealth Partners LLC, owners
of the land, have been hashing out the issue of how long the developers
must maintain the garden -- it’s been argued from 25 years to “in
perpetuity” -- artistic heads from South Coast Repertory have taken
notice of the garden’s aesthetic potential for theater.
Specifically, for a piece celebrating California’s landscape as part
of the fourth annual Pacific Playwrights Festival, which will end July 1.
Called “California Scenarios,” the series of short works was penned by
five playwrights -- Luis Alfaro, Joann Farias, Anne Garcia-Romero, Jose
Cruz Gonzalez and Octavio Solis -- through SCR’s Hispanic Playwrights
Project.
“Scenarios” opened Friday and will be performed in the outdoor garden
through July 1.
“The director, Juliette Carrillo, has been interested in that space,
in Noguchi garden, for some time now, and she found it to be very
beautiful but also very theatrical,” said Jennifer Kiger, associate
director of the festival and literary manager for the repertory.
The collaborative play contains five mini-plays: “Desert Longing,”
“Two Steps Forward, One Step Back,” “Encarnacion,” “Odysseus Cruz” and
“The Gardens of Aztlan.”
Plot lines range from four women and a bandido to a farm worker’s trek
home to a tale about tortillas, oranges and nature.
But the most conspicuous piece is “Encarnacion,” by Solis and Larry
Reed, a pioneer in shadow theater. The main puppet’s character is named
Encarnacion. It’s a story about his search for identity, origin and
future.
“It’s a piece about California, about the Latino experience , about
the first Mexicans,” Reed said. “Encarnacion -- his mother was Indian,
his father was Spanish, he was an orphan.”
The story is based on research and compilations of stories, but not on
an actual event.
Reed and Solis will use a wall and a big, white, transparent screen to
project their shadow play at Noguchi garden.
“It’s not constrained by the limitations of theater,” Solis said.
“It’s done in a really beautiful, magical way with just lights and
shadows.”
Reed, who is trained in Balinese shadow puppetry, fell into the art
almost by accident.
Someone stole his camera more than 20 years ago while he was a
filmmaker in Bali. He looked around for something else to do and fell in
love with the style of theater there -- a traditional style involving
shadows.
Reed said “Encarnacion” shares a theme with the other short plays in
“Scenarios.”
“All the writers had a different way of approaching things,” he said.
“But common themes are ‘what is the meaning of death?’ ‘Family’ is
another, ‘work’ is another. . . . But each one of them is very
distinctive.”
FYI
WHAT: “California Scenarios”
WHEN: 8 p.m. today, Sunday, June 29-30 and July 1
WHERE: Isamu Noguchi sculpture garden, walking distance from SCR,
behind the offices at 611 Anton Blvd., Costa Mesa
COST: $10
CALL: (714) 708-5555
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