TOM TITUS -- Theater Review
Those familiar with the musical version of the early 20th century
novel “The Secret Garden” may have wondered, with some justification just
how on Earth the Trilogy Playhouse ever could re-create the show’s
stunning scenic designs on the Costa Mesa theater’s limited stage
dimensions.
The blooming realization of this effect in the play’s final moments is
the frosting on a most impressively decorated, dramatic and lyrical cake,
baked to near perfection by director Alicia Butler and scenic artist
James Mulligan, with enormous assistance from musical director Sharon
Schwanz and choreographer Jimmy Hippenstiel.
“The Secret Garden” is a highly complicated project, the most
demanding show, both musically and dramatically, the Trilogy has tackled
in its first year at its Costa Mesa location. To elevate the degree of
difficulty, the three key children’s roles are double cast, which
translates to virtually two separate productions.
The three youngsters who performed opening night -- Hailey Villaire
as the young heroine Mary Lennox, Carl Asencio as the spirited young
gardener Dickon and Nicholas Boragno as the sickly lad Colin -- turn in
some of the show’s most inspiring moments. They alternate with Alexa
Wildish, Jonathan Hoover and Troy Butcher, respectively.
Villaire, just 11, tackles the central role of a girl orphaned by a
cholera outbreak in India and sent to live with her reluctant and equally
grieving uncle in England with the skills and nuances of a veteran
actress. Her transformation from a confused, spoiled little brat to a
warm and caring young lady is beautifully accomplished, and her singing
voice, while not overpowering, is quite melodic.
Gregory Michaels injects enormous emotional power into the role of
Archibald, the uncle whose beloved wife died in childbirth and whose son
lies near death himself. His anguish is splendidly balanced by the chilly
figure of his brother, whom he defeated in a battle of the heart, in a
finely etched performance from set designer Mulligan.
The spirit of Archibald’s late wife, Lily, an important presence in
the drama, is amplified by the glorious vocalizing of Amy Glinskas.
Sharie Nitkin nicely humanizes young Mary as her working-class maid and
contributes a joyous solo, “Hold On,” late in the play, while Sharon
Simonian projects a stern authoritarian figure as her guardian, Mrs.
Medlock.
The other two young people are a study in contrasts. Asencio is all
arms, legs and energy as the gardener Dickon, while Boragno suffers and
pouts convincingly as the ailing, sheltered Colin. Michael Osburn is a
staunch, supportive figure as the senior gardener.
Lily’s is not the only spectral personage inhabiting this production.
Those who perished in India also return -- all in ghostly white -- to
form a sepulchral chorus that glides in and out of the live action.
Christopher Scott and Jenessa Willhite head this contingent as Mary’s
parents, while Jenny Jones, Michael Mulligan, Jenny Stumpf and Kandice
Scattolon complete the representatives of the Great Beyond.
Backed by Mulligan’s splendidly appointed garden effects, which are
slid on and off stage smoothly, the Trilogy’s “Secret Garden” blooms
under the loving attention of a cast full of green thumbs. Musically and
dramatically, it is a thoroughly satisfying show.
* * *
The Trilogy Playhouse will shift musical gears from drama to satire
with its next production, the local premiere of “Ruthless,” the story of
a homicidal child star. Auditions are scheduled for from 6:30 to 9:30
p.m. Tuesdays at the theater, 2930 Bristol St., Costa Mesa.
All roles are open and the cast is heavy on women’s and girls’ roles.
“Ruthless” will open May 25 and play through June 17. More information is
available at (714) 957-3347, Ext. 2.
* TOM TITUS reviews local theater for the Daily Pilot. His reviews
appear Thursdays and Saturdays.
FYI
WHAT: “The Secret Garden”
WHERE: Trilogy Playhouse, 2930 Bristol St., Costa Mesa
WHEN: 7:30 p.m. Fridays, 3:30 and 7:30 p.m. Saturdays, and 5 p.m.
Sundays through April 8
COST: $15-$17
PHONE: (714) 957-3347
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