Theater Review
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Tom Titus
To introduce future actors -- and audiences -- to the theater, there are
abbreviated “junior” versions of popular musicals available, trimmed and
sanitized. The shorter options do not strain the talents of the cast nor
the patience of younger theatergoers.
Costa Mesa’s new Trilogy Playhouse is offering one of these, Stephen
Sondheim’s “Into the Woods,” as its second production since moving into
the Bristol Street theater vacated recently by the Theater District.
Dubbed “Into the Woods Jr.,” the production includes only the musical’s
first act, with a few numbers trimmed down or excised completely. It’s an
effective method of presenting the show’s comic cuteness without delving
into its more bizarre situations -- deaths, seductions and the like.
Director Alicia Butler, with significant contributions from musical
director Sharon Schwanz and choreographer Sheryl Singh, has managed to
manipulate a cast of 16 performers on and off a stage of limited
dimensions. Unfortunately, the colorful, inventive costumes are not
credited.
Sondheim’s concept of presenting well-known fairy tale characters who
interact with one another to pursue a common goal works well, even in a
scaled-down “junior” version. Occasionally, however, the live voices are
no match for the recorded musical accompaniment, a common occurrence even
in traditional productions.
Among those who overcome this pitfall are Tom Moss and Amanda Loomer, as
the baker and his wife, and Jennifer Doering as Cinderella. Moss and
Loomer excel in the reconciliation number “It Takes Two,” while Doering
shines in her duet with Loomer, “A Very Nice Prince.”
Little Hailey Villaire (the only child in the cast) makes a particularly
cute Red Riding Hood, minus the avaricious qualities of her original
character. She sells her solo, “I Know Things Now,” after a shaky start
in the opening segment.
Michael Mulligan is a suitably rustic Jack, reluctantly trading his cow
for a handful of beans and rendering an effective “Giants in the Sky”
number.
As the grotesquely disfigured witch (makeup also is uncredited) seeking
to regain her former beauty, Karin Lindberg Freda renders a delicious
character -- although her opening-scene expository number is downsized.
So, too, is the salacious scene with Little Red and the wolf (James
Mulligan, who also enacts Cinderella’s prince), out of deference to
family audiences.
Dave Schade deftly switches between his narrator’s role and that of the
“mysterious man,” though not always with pinpoint timing. Eileen Conan is
a credible nag as Jack’s mother, while Yvonne Marie Houssels ably
projects Cinderella’s stepmother, and Sharon Simonian doubles as her real
mother’s spirit and Little Red’s granny.
Kandi Scattolan is effective as the long-haired Rapunzel. Rounding out
the large company are Christy Simonian and Corinne Kane as Cinderella’s
stepsisters, Jack Warner as Rapunzel’s prince and Bruno Stoecklein as the
princes’ steward.
James Mulligan’s woodsy setting works very nicely for this production,
and the ensemble effort survives the occasional bumpy roads to mesh
credibly.
The finale, with everyone on stage and moving simultaneously, is
especially well done. “Into the Woods” may take its audiences only part
way in, but it’s an enjoyable experience nevertheless. And getting there
is more than half the fun.
WHAT: “Into the Woods Jr.,” abbreviated version
WHEN: 7:30 p.m. Fridays, 5 and 7:30 p.m. Saturdays and 7 p.m. Sundays
through April 9
WHERE: Trilogy Playhouse, 2930 Bristol St., Costa Mesa
HOW MUCH: $10 and $12
PHONE: (714) 957-3347
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