interiority
Plural feels a little awkward here, so pardon the slight detour from the usual route. We invoke the we a lot around these parts, and we wouldnât want you to get the wrong idea about what we are doing or where we are coming from. The first-person singular should clear a few things up.
Sometimes, I get a little sloppy with it; on my daily drives around L.A., Iâll see something going down and clumsily fall into a linguistic trap: âPeople in L.A. love a âŚâ or âL.A. loves a âŚâ â fill in the blank. People in L.A. love a bad U-turn across a double yellow. People in L.A. love a treacherous red light run at an unprotected left. A valet-only parking lot. A flea. A collab. A farmerâs market knife sharpening station. A tall hedge. A heat lamp at night, regardless of the temperature. Obviously, I donât mean to suggest that this is what everyone in L.A. feels or how they should feel. In actuality, the lazy construction of my banal observations obfuscates the energies that Iâm trying to document.
Once the generalizations roll off the tongue and into the ether, they form a thick fog that clouds the official record. When that happens, the actions lose their aura, the POV gets lost, the brightness of specific experience dulls. The fictions shine through and become doctrine.
A place, in this case Los Angeles, becomes obscured by those who be acting like they know. Youâve seen the stupid transplant maps that get shared in your Slack channels and reshared on social platforms. I wonât dignify the memes, other than to say it doesnât take much to ID a transplant. When they make their âboldâ declarations, they out themselves as soon as they mention the so: âThatâs so L.A.â âIâm so Cali.â For too long, the so-soâs have had too much control over the official narrative.
Thereâs a different tradition of storytelling practiced in L.A. â one that is less about you and I and more about we. The âweâ tradition is more aspirational, more inclusive. By definition, it moves in more ways than one. The we tradition includes the âIâ and the rest of the group. It is, as they say, a multi-POV situation.
What would the story of Los Angeles look like if the âweâ tradition were the norm? This question is top of mind for those who task themselves with documenting whatâs really going on in our city on the daily. There are many archivists in L.A. trying to show how we move, and what the interior of the city really looks like. They work to document, to catalog, to add context from the inside. Like the fiction writer, they help us access the inner thoughts that reveal the character of our hometown. They see the gaps and fill them in. They task themselves with bringing L.A. more into view.
And so, we present âInteriority.â This is us saying a fuller archive â the âweâ POV â is what matters. The archivists we worked with have some stories to tell that will deepen the cityâs collective memory. Stories that will open up space for more narratives to break through. Thatâs not all our archivists are doing, however. Some of them have made their contributions with the future in mind. No spoilers, foos â looks at rafa esparza and co. â but rest assured the âweâ is the spiritual core.
You see the low low on the cover. Now is the time to learn what we are riding for.
Ian F. Blair
Editor in Chief
Image logo by Reina Takhashi For The Times
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