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Episode 5: âNew Territories.â As a young mother, Paulina grows disillusioned with her home life and yearns for independence and a space she can call her own. Once she opens a new psychic shop, she meets a couple of new clients who give her a peek into their outside world â and thereâs no going back.
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When you go spelunking or visit a deep underground cavern, the tour guides often point out an optical illusion.
Underground, itâs difficult to spatially gauge the surroundings. Things that are big look small. Things that are close look far, and vice versa. This illusion is especially strong when looking at stalactites, the mineral formations dangling from a cavernâs ceiling. Sometimes they seem small when in fact theyâre the size of redwood trees.
The guides warn you about this because if you donât have a point of reference, you can become disoriented, so if you go far enough, you can get dangerously lost.
When Paulina Stevens started dipping her toes into a non-Romani lifestyle, she was essentially peering into the depths of a new cave. So she looked to her new clients-turned-friends, Amber Peck and Matt Verminski, for reference points.
âThere was no shame in sharing with Amber. ⌠She would give me her opinion, she would give me some advice, made me see things from a different point of view.â
— Paulina Stevens in âForetoldâ
At a time when Paulina was feeling particularly out of sync, she began talking with her friends about her home life. Maybe she was grasping for any kind of reassurance.
âA lot of the things that she would bring up, I think she brought them up for validation that, âIs this normal?â No, itâs not normal. I think you already know that itâs not normal.â
— Matt Verminski in âForetoldâ
But ânormalâ is really another way to say âreference point.â Normal is in the eye of the beholder.
âMatt and Paulina were each looking at what ânormalâ meant from two very different vantage points. So even if Matt didnât totally understand what was going on, Paulina was eager to hear his take on her life. She was really curious about his perspective as an outsider.â
— Faith Pinho in âForetoldâ
As Paulina chafed at the limitations of her life, she started veering off her prescribed path, bit by bit. First she moved into a new shop, then into a new home away from her in-lawsâ house. She stopped dressing so traditionally. She got a driverâs license.
All that distance and time away wasnât enough. And in one particularly dramatic moment, Paulina described her mother-in-law, Ruby, confronting her about her absences.
âDo you feel like weâre not good enough? Do you just want more? Do you want to do more?â
— Paulina Stevens, recalling Rubyâs words, in âForetoldâ
The confines of her life felt limiting to Paulina. For a while, she had thought she just had to adjust to that discomfort. Ruby was seemingly comfortable within the confines.
But Rubyâs questions felt a little too on the nose, Paulina recalled. Maybe Ruby could relate. And that possibility led Paulina to think not only about wanting change, but also about what exactly that change could be.
âBefore that moment, I was thinking more of like, âI just donât want to be here.â Thatâs it. âI just donât want to be here.â I wasnât thinking about what I really wanted.â
— Paulina Stevens in âForetoldâ
After growing closer to Matt and Amber, while growing further apart from her in-laws and husband, Paulina decided sheâd gotten enough reference points to explore. She picked a direction and dived right in.
â JazmĂn Aguilera
Go even deeper
âRomani women arenât a monolith. But we all contend with patriarchy and marginalization both inside our culture and from the outside world,â activist and scholar Nicoleta Bitu says.
I faced racism from white feminists. But Black thinkers taught me about intersectionality and I learned to define my own Romani feminism.
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About 'Foretold'
Theme music by seven-string guitarist and composer Vadim Kolpakov and composer Alex PGSV. Additional original music by Vadim Kolpakov and Alex PGSV, as well as Alex Higgins. Fact checking by Kasia Broussalian, Lauren Raab, Asal Ehsanipour and Faith E. Pinho. Additional research by Scott Wilson.
Thanks to Shani Hilton, Kevin Merida, Brandon Sides, Dylan Harris, Carrie Shemanski, Kayla Bell and Nicolas Perez.