Ryan Faughnder is a senior editor with the Los Angeles Times’ Company Town team, which covers the business of entertainment. He also hosts the entertainment industry newsletter The Wide Shot. A San Diego native, he earned a master’s degree in journalism from USC and a bachelor’s in English from UC Santa Barbara. Before joining The Times in 2013, he wrote for the Los Angeles Business Journal and Bloomberg News.
Faughnder was most recently a film business reporter for Company Town. He covered such major stories as the Sony hack, the streaming wars and Bob Iger’s surprise return to the throne as Disney’s CEO in 2022. He also was part of the team that was a 2022 Pulitzer Prize finalist for coverage of the “Rust†set shooting.
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Once in a while, the box office needs a jump start, and it got one over the weekend with the combined appeal of “Wicked†and “Gladiator II,†two movies aimed at vastly different audiences.
Animators have expressed great concern over the threat of artificial intelligence, which is expected to lead to job losses.
It took billions of dollars in losses, a company-wide overhaul, cost-cutting and price hikes to get there, but Bob Iger and Walt Disney Co. appear to have reached a long-awaited turning point in the streaming business.
Much of the reaction among show business and tech chief executives has been either explicitly supportive or generally hopeful that the new Republican administration will be more business-friendly.
Vice President Kamala Harris and former President Trump’s conversations with the likes of Charlamagne tha God, Alex Cooper, Theo Von and Joe Rogan are an indication of how the media ecosystem has fragmented.
Gov. Gavin Newsom’s new tax credit proposal signals a significant — albeit belated — attempt to address one of the key factors that has driven much of Hollywood production to other regions.
For decades, scary movies have been one of Hollywood’s most reliably lucrative genres and a mainstay of the independent film business.
Walt Disney Co. said James Gorman will become chairman of its board next year, replacing Mark Parker, who is stepping down after nine years.
Once China’s richest man, Wanda’s Wang Jianlin wanted to own Hollywood. Now the firm has exited two of its marquee investments in American entertainment.
Anyone can see how disruptive streaming has been for TV distributors. But it’s a different story for other players like Netflix, even as the industry faces continued challenges.