Review: A basic-cable George Lopez in 'Saint George' - Los Angeles Times
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Review: A basic-cable George Lopez in ‘Saint George’

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George Lopez, the comedian, has a new sitcom on FX, “Saint George.†Like its stablemate “Anger Management,†which guarantees you’ll have Charlie Sheen to kick around for a while, it is being launched on what’s called a 10/90 deal: If the first 10 episodes do well enough by some secret contractual standard, the network buys 90 more, to make a syndication-friendly 100.

The series, which premieres Thursday, is Lopez’s second sitcom, after the family comedy “George Lopez,†which ran from 2002 to 2007 on ABC. This, too, is a family comedy, but we are in the realm of basic cable now: Lopez’s character, also named George, is divorced, and the jokes, though strictly euphemistic, are dirtier.

Notwithstanding the star’s recent unscheduled nap on a casino floor — nothing by Sheen standards, after all — Lopez is a major star, and, at 52, still the biggest Latino comic around. His series stands a good chance of success, I would guess, in spite of the fact that creatively it is a bit of a mess.

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As on his previous series, and like many sitcom heroes before him, Lopez’s character has moved up a class. Here he is at once a night-school history teacher and a successful entrepreneur, the creator of the nation’s fifth-most-popular energy drink. These two pursuits are presented with a near-complete lack of detail and seem only arbitrarily related to his character, such as it is, a nice guy more insulted than insulting.

The character resembles George Lopez the stand-up comedian — aggressive, coarse, sometimes political and often incorrect — not at all. It feels at times as if the pages of two pilots had been shuffled together like playing cards.

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I suppose the series’ name might refer to the patience he shows to those around him, including a mother (Olga Merediz) who exists only to belittle him (“Can I tell you something and you won’t get mad? You’re fat, boring and stupidâ€), and his sexually harassing principal (Diana Maria Riva) who won’t take no for an answer.

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Here is a taste of their banter:

She: “In case you’re wondering, I’m wearing a thong.â€

He: “I was kind of guessing, big girl panties.â€

“I know you’ve undressed me with your eyes.â€

“Right now I’m thinking of sewing them shut.â€

Better, if undeniably corny, are the manglings and malapropisms (“ray of sunscreen,†“bull in a doughnut shopâ€) of George’s uncle (Danny Trejo) and cousin (David Zayas), who come as a set, without knocking. Their imagined street smarts mask a kind of innocence; the actors manage to be gross without grossing you out.

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It’s in the fleeting moments that the characters demonstrate affection for each other that the show hints at the better show it might become — as when (Anglo) ex-wife (Jenn Lyon) begins to help George dye his hair for a night in the dating pool. But then comedy intrudes, and she exits, stage right.

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