Jane Campion followed 'Bright Star' with a move to TV and 'Top of the Lake' - Los Angeles Times
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Jane Campion followed ‘Bright Star’ with a move to TV and ‘Top of the Lake’

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Technically speaking, Jane Campion hasn’t released a film since 2009’s “Bright Star.†But as far as she’s concerned, she never stopped making movies.

Yes, “Top of the Lake,†which ran on Sundance in 2013, and its follow-up, “Top of the Lake: China Girl,†premiering next month, are both TV miniseries. And yet the critically praised projects have an inexorably cinematic quality that perhaps explains why they were screened , at the Sundance and Cannes film festivals, respectively.

Campion is famously the only woman to win the coveted Palme d’Or at Cannes and one of just four women ever nominated for a director Oscar. So what led her to the small screen after such a distinguished film career?

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As Campion has said elsewhere, she was making “Bright Star,†a modestly budgeted film she’d struggled to get made in a difficult financial environment, and had an epiphany when she stumbled on an episode of HBO’s “Deadwood.†Her previous picture, the erotic thriller “In the Cut,†had been released six years earlier after a fraught development process to largely negative reviews.

“I thought film started to feel a bit conservative,†Campion said recently by telephone. “You know you’ve always got to be careful like, ‘What was the audience gonna think, was the audience gonna come?,’ you know? And I think it was really killing off a lot of originality and playfulness. In television or in the series world, the audience is very quick, very clever.â€

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While she’s using the same equipment and working with some of the same collaborators — editor Alexandre de Franceschi and composer Mark Bradshaw are among those who worked on both “Bright Star†and “Top of the Lake†— Campion says she has “the most freedom as a storyteller†in television.

Still, don’t rule out a return to the big screen. After making two lengthy miniseries, “A film seems very contained, very nice,†she says.

Full Coverage: Buried treasures of cinema »

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