Highs, Lows of Christmas Carols on CD - Los Angeles Times
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Highs, Lows of Christmas Carols on CD

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SPECIAL TO THE TIMES

For aficionados of Christmas pop, 1992 is a mixed year at best for CD stocking stuffers. Nonetheless, Garth Brooks’ platinum “Beyond the Season†and the just-released “A Very Special Christmas 2†sampler, among a sleighful of other Bing wanna-bes, are likely to keep cash registers ringing these next two months.

Albums are rated on a scale of one star (poor) to four stars (excellent).

Even more than the 1987 original, the uneven charity album “A Very Special Christmas 2†(**1/2) is chock-full of expendable star turns. You haven’t experienced annoying until you’ve heard Wilson Phillips turn “Silent Night†into one of their trademark harmonic convergences--unless, that is, you’ve first heard Debbie Gibson capsize “Sleigh Ride†with cuteness. Michael Bolton almost makes it all the way through a relatively subdued “White Christmas†without going for the Big Notes, but can’t help himself in the snow-melting final bars.

Neither one of a couple of promising duets--one between Ronnie Spector and Darlene Love, the other pairing Cyndi Lauper with a 1947 tape of Frank Sinatra--offers double the fun. But Bonnie Raitt and bluesy Charles Brown don’t disappoint, making the perfect match on the latter’s classic “Merry Christmas Baby,†the album’s standout track.

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The chanciest choice comes from Sinead O’Connor: Bob Dylan’s non-Christmas but bill-fitting hymn “I Believe in You,†which--with lines like, “They look at me and frown / They’d like to drive me from this townâ€--has certainly proved prophetic. O’Connor was scheduled to sing it at the Dylan tribute; imagine how triumphantly she would’ve come off had she done this amid the jeers instead of her brat act.

Among country releases, Garth Brooks’ “Beyond the Season†(***) and Travis Tritt’s “Loving Time of the Year†(** 1/2) both have the good taste to feature Buck Owens’ “Santa Looked a Lot Like Daddyâ€; Tritt earns extra points for including a second Owens tune, too. Up-and-comer Tritt’s frisky collection rocks out more, but superstar Brooks maintains the slight edge with a gift for balladry befitting the religious material dominating his album.

Amy Grant’s “Home for Christmas†(**) comes as a considerable letdown, following the fun of her first, far more charming Christmas album a decade ago. With this subdued set, it’s as if she’s determinedly trying not to be “cute†anymore, but the self-conscious classiness--complete with lifeless orchestra--casts her as middle-aged before her time.

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Grant’s at least inherently suited for this stuff. But Neil Diamond’s “The Christmas Album†(*) makes his interpretive limitations excruciatingly evident. Diamond brings the same slightly melodramatic approach to “Hark the Herald Angels Sing†and “Santa Claus Is Comin’ to Townâ€; you half-expect him to interject “they come to America!†in both instances.

For a toxic antidote to Diamond’s sugar, check out the equally awful Mojo Nixon’s “Horny Holidays†(*1/2), which rockingly blasphemes every tradition in sight. By the time Nixon gets around to “We three kings of Orient are / Drinking whiskey in a nude bar,†even the satirically inclined may find their good humor exhausted.

Ready for reverence again? The remarkably ambitious “Handel’s Messiah--A Soulful Celebration†(***) recasts the 18th-Century oratorio as an R&B; suite. It’ll be blasphemy to some classical hardliners, but the results--incorporating pop, jazz, rap and hip-hop--are more fun than you’d expect. Take 6 and Stevie Wonder share vocals on the catchily titled “O Thou That Tellest Good Tidings to Zionâ€; other key performers include Al Jarreau, Tevin Campbell, the Yellowjackets and a host of black gospel favorites.

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Speaking of black gospel, the Sounds of Blackness’ “The Night Before Christmas--A Musical Fantasy†(***) may be the first album in that genre to have a full choir joyfully singing the praises of . . . Kris Kringle. Two terrific Jimmy Jam & Terry Lewis-produced secular Christmas tracks lead off the album, followed by a quick set of hymns before the lengthy, playful title suite gets underway. This spunky set and “Messiah†have it hands and hosannas down over other current Christmas releases for pure freshness.

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