Review: The Mavericks’ uplifting ‘In Time’ a long-awaited reunion
From beginning to end of the Mavericks’ reunion album “In Time,†the genre-busting band embodies the very best of the melting-pot experience that’s a fundamental component of the American character. Singer-songwriter Raul Malo and his Nashville-based compatriots draw freely, and joyously, from regional cultures spanning North and South America on a collection that will be hard to top as the year’s most scintillating pop music outing.
The party begins in the opening track, “Back in Your Arms Again.†A fat, twangy chord from an echo-drenched country guitar shares space with a lilting strummed Hawaiian uke, which are quickly joined by a peppery Tex-Mex keyboard and timbales that ride along as propulsive rhythm section jumps in. Then Malo’s soaring tenor arrives, bringing palpable romanticism to a tale about the sweetness of reunion that applies equally to the song’s romance-minded protagonist as his band’s own return to the spotlight.
The spirit of inclusiveness never lets up, infusing the pedal-to-the-metal punch of “Lies,†the mariachi-spiked breakup celebration in “Fall Apart†and the Tex-Mex fiesta of “All Over Again.†And if there isn’t a pop vocal Grammy Award next year for Malo’s stunning display on the eight-minute operatic Latin-pop-gospel epic “(Call Me) When You Get to Heaven,†awards overseers ought to just pack it in and say “Adios.â€
Malo, whose Cuban heritage comes out in the dance-mindedness of nearly every track, also co-produced the album with Niko Bolas, and they’ve captured a sound as tangibly uplifting as pop music gets. The Mavericks are back and indeed, just in time.
The Mavericks
“In Timeâ€
(Valory Music Co.)
Four stars (out of four)
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