Fall movie season is upon us, with Oscar hopefuls, big-budget franchise updates, small indies, family-friendly films and many more to choose from. Our handy guide will help navigate the dozens of movies headed to the big screen between now and early November, including âBattle of the Sexes,â âMarshallâ and âThor: Ragnarok.â Get a closer look at some of the most-anticipated films in The Timesâ 2017 Fall Movie Preview.
Angela Robinson dishes on the origin story of âProfessor Marston and the Wonder Womenâ
Writer-director Angela Robinson first came to the story of William Moulton Marston, Elizabeth Marston and Olive Byrne more than eight years ago as, in her words, âa straight-up Wonder Woman fan.â This was well before the recent rush of books on the origins of the character and certainly without any idea that her project on the three of them would come out in the wake of the landmark success of a âWonder Womanâ movie.
I quickly was like, âI canât tell a movie about Wonder Woman without exploring the women,â And I feel like thatâs what Marston was engaged in too, his fascination that manifested in Wonder Woman.Â
— Angela Robinson
Denis Villeneuve explains how âBlade Runner 2049â is no replicant of the original
When he signed on to direct âBlade Runner 2049,â which hits theaters Oct. 6, Denis Villeneuve was determined to carry on the groundbreaking aesthetic of director Ridley Scottâs original 1982 neo-noir sci-fi thriller. At the same time, he didnât want to create a mere replica â or replicant, as the case may be.
âThe movie we did is deeply inspired by the first movie, but we tried not to become a pastiche or parody,â says the French Canadian director behind such films as âArrivalâ and âSicario.â âWe used elements from the first movie with humility and tried to find a strength in them. But this movie has its own personality.â
Villeneuve walks us through his film, one scene at a time.
In âdangerous and harshâ locales, cinematographer Mandy Walker looked for beauty in âThe Mountain Between Usâ
In 20th Century Foxâs romantic drama âThe Mountain Between Us,â Kate Winslet and Idris Elba star as two strangers stranded together atop a remote snow-covered mountain after a plane crash. The Times caught up with cinematographer Mandy Walker to discuss the challenges behind filming on a frozen mountaintop for the film from director Hany Abu-Assad.
âHany wanted everything to be as realistic as possible. And the actors were so amazing. We really went to those locations and went up to between 10,000 and 11,000 feet, we got up in a helicopter, and it got down to -40 [degrees Celsius] sometimes. The challenge for me was that Hany also said, âI want this film to be elegant and I want to move with the actors as theyâre traveling on their journey.â â
Sometimes we go a little colder and a little darker when we feel that the characters are maybe going to die, and weâre always moving with them. We want the audience to feel like theyâre on the journey. Theyâre in a situation thatâs really dangerous and harsh, but beautiful.
— Mandy Walker
Richard Linklaterâs latest film, âLast Flag Flying,â takes a nuanced look at how friendship affects aging/masculinity
If youâre Richard Linklater, you canât really top the past few years, which saw the release of such landmark work as âBoyhoodâ and âBefore Midnight,â can you?
Yet here comes the 57-year-old with his low-key intimacies and profound digressions once more, prepared to take awards season by storm with âLast Flag Flying.â The Amazon/Lionsgate release, set to open Nov. 3, is a reunion movie that stars Bryan Cranston, Laurence Fishburne and Steve Carell as a group of Vietnam War veterans at the start of the second Iraq war â and contends with such big topics as aging, masculinity, friendship, responsibility and war.
âI like the idea of three guys getting back together and what that means. The relationships of old friends is always fascinating. Because of course itâs also about the long-term relation with yourself â how youâre the same and how youâre different.â
— Richard Linklater
âThe Shape of Water,â âLady Birdâ and other fall festival movie premieres that Oscar voters will be watching
The movies listed â premiering at festivals in Venice, Telluride and Toronto â will likely comprise much of the meat of this yearâs Oscar race. (Also factor in âDunkirk,â Sundance standouts âCall Me by Your Name,â âThe Big Sickâ and âMudbound,â and Cannes favorites âWonderstruckâ and âThe Florida Project.â)Hereâs a look at how the upcoming premieres stack up.
âLady Birdâ
Story: Rebellious Catholic high school girl (Saoirse Ronan) looks to escape Sacramento and move to New York in Greta Gerwigâs directorial debut.
Pedigree: The talented Ronan already owns two Oscar noms.
âThe Shape of Waterâ
Best case: Dreamy Guillermo Del Toro fairy tale marks a return to form for the filmmaker and showcases the talented Sally Hawkins.
Worst case: Festival reviews touting the movie as â âCreature from the Black Lagoonâ directed by Douglas Sirkâ prove catnip for cineastes but not so much for the general public.
With four films coming this year, Domhnall Gleeson is aiming for much more than a âStar Warsâ villain
After seeing Domhnall Gleesonâs 2017 filmography, no one can ever accuse him of being typecast. The 34-year-old Irish actor has four wildly different projects arriving this fall, each pushing Gleeson into new emotional territory.
âWhat I like about it is theyâre all different sorts of films,â Gleeson says, sitting on a couch in the Soho Hotel in London. âI was reading an interview awhile ago with an actor I really like â I think it was Ryan Reynolds â and he said what he would like to do is to be in different genres of film and try to contribute to all of them. I think thatâs a good model for a career.â
Billie Jean King and Emma Stone on âBattle of the Sexesâ and the enduring fight for equality
The 1973 Battle of the Sexes tennis match between Billie Jean King and Bobby Riggs, and the surrounding socio-political environment for women (and LGBTQ people), is the subject of the upcoming film âBattle of the Sexes,â starring Emma Stone as King and Steve Carell as Riggs.
The Times spoke with Stone and King in a joint phone call about the match, its enduring impact on the fight for gender equality and what that looks like for the pay equity conversation currently going on in Hollywood.
Every person should [get] equal pay for equal work. The men have the power. We need them to step up, because they could do this overnight⌠Once women are making the same, the world will be a better place.
— Billie Jean King
It was hard for âStrongerâ subject Jeff Bauman to face who he really was
After Jeff Bauman watched âStrongerâ for the first time, he wasnât sure how he felt. He was hot, that was for certain; he couldnât stop sweating. He just wanted to go home and sleep.
So thatâs what he did. But when he woke up the following morning, he was still having trouble accepting the depiction of himself in the film. The movie, opening Sept. 22 and based on the 31-year-oldâs own book about losing his legs as a result of the Boston Marathon bombing, didnât shy away from Baumanâs struggles.
It portrayed me partying and drinking and not showing up for therapy once a week when I should have been there three times a week. Thatâs real. I was lost going through this. He got me totally right. But was hard to face it and see that other people saw that.
— Jeff Bauman
All the movies you can see this fall, from blockbusters and family films to indies and Oscar contenders
The 2017 Fall Movie Preview is a snapshot of the films opening through early November, from âItâ to âThor: Ragnarok.â Release dates and other details are subject to change.
Ben Stiller pushes himself in new direction âBradâs Statusâ and âThe Meyerowitz Storiesâ
In two movies this fall, Ben Stiller can be seen pushing himself in new directions as an actor, finding idiosyncratic, serio-comic tones to explore characters who find themselves in midlife crises and at crossroads perhaps not so far from where Stiller may currently also find himself.
Admitting he didnât at first naturally connect the two roles himself, Stiller noted how it has become meaningful to him that in âBradâs Status,â written and directed by Mike White, he plays a father struggling to relate to his son, and in âThe Meyerowitz Stories,â written and directed by Noah Baumbach, he plays a son trying to get closer to his father.
I happened to be at a place in life where I have an older father and I have a young son, so thereâs that place where youâre dealing with both and figuring out how to navigate that.
— Ben Stiller
Bill Skarsgardâs Pennywise from âItâ looks to leap off the page and into the psyche of viewers
Heath Ledgerâs Joker is rooted in the real; you can break down the psychology. But Pennywise is not a real person.
— Bill Skarsgard
The villain from Stephen Kingâs âItâ terrified when he was left to childhood imaginations in the authorâs 1986 doorstopper. And he is likely to send similar shudders after appearing, in the form of young Swedish actor Bill Skarsgard, in the new Warner Bros. release opening Friday.
One of the great fixtures of modern literary evil, Pennywise, with the help of the 27-year-old Skarsgard, is attempting to jump mediums and give a new generation an injection of fear.
Taika Waititi and the âThor: Ragnarokâ cast introduce the newest faces of the Marvel Cinematic Universe
âThor: Ragnarokâ might be the third title in the Marvel Cinematic Universe about the god of thunder, but this colorful deviation is no mere knockoff of its predecessors. The driving force behind the filmâs electric, retro-tinged changes is director Taika Waititi, best known for writing and directing the cult comedies âHunt for the Wilderpeopleâ and âWhat We Do in the Shadows.â
âRagnarok,â which opens Nov. 3, finds Thor imprisoned on the planet Sakaar, where he must fight to survive in the Grandmasterâs gladiator games. Itâs the stuff of life and death. But Waititi didnât lose sight of the fact that itâs still entertainment.
Never forget that weâre making a cosmic adventure with a space Viking.
— Taika Waititi, director
And while itâs easy to get caught up in the whirlwind of Waititiâs aesthetic changes (Thor cut his hair!), perhaps the most exciting addition to the Marvel universe is the new cast members, who feel like they were plucked from a late night, Internet fan casting session. All your faves are in this flick. Jeff Goldblum, Tessa Thompson, Karl Urban, Rachel House and Cate Blanchett are all part of Waititiâs âspace Vikingâ opus.
So we rounded up the newbies to find out who theyâre playing and what itâs like being on team Marvel.