Metropolitan Museum says it will return Cambodian statues
MORE: Oscars 2014: Idina Menzel sings Oscar-winning ‘Let It Go’ from ‘Frozen’
Idina Menzel replaced by ‘Adele Dazeem’ in ‘If/Then’ playbill joke
Adele Dazeem (Idina Menzel) saluted at ‘The Book of Mormon’ (Robert Gauthier / Los Angeles Times)
MORE: Orlando Bloom, Joe Morton brighten TchaikovskyFest at Disney Hall
REVIEW: Tchaikovsky on a grand scale (Lawrence K. Ho / Los Angeles Times)
REVIEW: Barry Manilow’s ‘Harmony’ musical can sing but needs work (Luis Sinco / Los Angeles Times)
MORE: Carlos Almaraz’s time is coming, nearly 30 years after death (Kirk McKoy / Los Angeles Times)
MORE: Hollywood’s Theatre Row sees exits stage right, left as scene changes
INTERACTIVE: Hollywood’s Theatre Row (Genaro Molina / Los Angeles Times)
More: Grammys 2014: Lang Lang performs ‘One’ with Metallica (Robert Gauthier / Los Angeles Times)
Review: Christopher Plummer, a man of letters, says ‘A Word or Two’ (Doriane Raiman / Los Angeles Times)
REVIEW: A poet embedded among troops lives to tell ‘An Iliad’ (Lawrence K. Ho / Los Angeles Times)
MORE: New MOCA director Philippe Vergne is a museum veteran
New MOCA director Philippe Vergne plans an artist-enabling museum (Carolyn Cole / Los Angeles Times)
MORE: A ‘Beautiful’ tapestry of Carole King’s life (Carolyn Cole / Los Angeles Times)
REVIEW: L.A. Phil, Dudamel reinvigorate Tchaikovsky’s ‘Nutcracker’ (Lawrence K. Ho / Los Angeles Times)
REVIEW: Lively ‘Peter and the Starcatcher’ make us believers again
MORE: Baddie role in ‘Peter and the Starcatcher’ hooked John Sanders (Jay L. Clendenin / Los Angeles Times)
REVIEW: Cirque du Soleil’s ‘Totem’ a thrilling salute to human growth (Christina House / For the Times)
REVIEW: Time has overtaken ‘The Sunshine Boys’ (Lawrence K. Ho / Los Angeles Times)
REVIEW: ‘Chicago’ storms into the Hollywood Bowl (Jay L. Clendenin / Los Angeles Times)
REVIEW: ‘Marriage of Figaro’ a wedding of many talents (Lawrence K. Ho / Los Angeles Times)
REVIEW: With ‘Tosca,’ Los Angeles Opera goes for grand (Lawrence K. Ho / Los Angeles Times)
REVIEW: The collateral damage of genius in Boris Eifman’s ‘Rodin’ (Lawrence K. Ho / Los Angeles Times)
REVIEW: ‘The Royale’ punches well but has character issues (Lawrence K. Ho / Los Angeles Times)
REVIEW: L.A. Dance Festival returns to boost homegrown dance (Lawrence K. Ho / Los Angeles Times)
REVIEW: Sensual energy crackles in Alvin Ailey dance program (Luis Sinco / Los Angeles Times)
REVIEW: Aaron Copland as a hinge (Lawrence K. Ho / Los Angeles Times)
REVIEW: ‘American Buffalo’ at Geffen a refreshing dose of Mamet (Gary Friedman / Los Angeles Times)
REVIEW: Flashes of lightning in Trisha Brown’s ‘Astral Converted’ (Luis Sinco / Los Angeles Times)
REVIEW: A new Cinderella at Los Angeles Opera makes an impression (Lawrence K. Ho / Los Angeles Times)
REVIEW: Ethical quandaries buzz in ‘The Nether’ (Lawrence K. Ho / Los Angeles Times)
REVIEW: L.A. Opera’s ‘Flying Dutchman’ back in action (Lawrence K. Ho / Los Angeles Times)
MORE: For David Henry Hwang’s ‘Chinglish,’ a case of bad timing in China (Rick Loomis / Los Angeles Times)
MORE: Clive Davis’ next role: Broadway producer of a new ‘My Fair Lady’ (Gina Ferazzi / Los Angeles Times)
REVIEW: The usually inventive BBC Concert Orchestra goes retro (Lawrence K. Ho / Los Angeles Times)
MORE: Los Angeles Chamber Orchestra violinist has a date with a Stradivarius (Francine Orr / Los Angeles Times)
REVIEW: Elevator Repair Service’s ‘Gatz’ a rewarding marathon | Elevator Repair Service takes on the great ‘Gatz’ | Marathon plays stand the test of time (Michael Robinson Chavez / Los Angeles Times)
REVIEW: Trey McIntyre Project dances are both slight and potent | Trey McIntyre Project brings ‘Ways of Seeing’ to Segerstrom (Luis Cinco / Los Angeles Times)
REVIEW: Esa-Pekka Salonen and an electrifying L.A. Philharmonic | Esa-Pekka Salonen returns to L.A. with murder in mind (Matthew Lloyd / For The Times)
REVIEW: Esa-Pekka Salonen and an electrifying L.A. Philharmonic | Esa-Pekka Salonen returns to L.A. with murder in mind (Michael Robinson Chavez / Los Angeles Times)
REVIEW: How David Lang’s ‘love fail’ succeeds sublimely (Michael Robinson Chavez / Los Angeles Times)
REVIEW: Bolshoi’s ‘Lake’ is sometimes choppy, sometimes smooth | Photos (Lawrence K. Ho / Los Angeles Times)
MORE: Glorya Kaufman gives USC millions to build a dance school (Al Seib / Los Angeles Times)
MORE: Benjamin Millepied gets moving in Los Angeles | Photos | Review (Ricardo DeAratanha / Los Angeles Times)
REVIEW: Barbra Streisand puts the Hollywood Bowl under her spell (Michael Robinson Chavez / Los Angeles Times)
REVIEW: Desire and sexual politics whirl among ‘Them’ (Ricardo DeAratanha / Los Angeles Times)
REVIEW: Two ways to capture magic of ‘The Tempest’ | Photos (Lawrence K. Ho / Los Angeles Times)
REVIEW: Barbara Cook rejuvenates song standards (Lawrence K. Ho / Los Angeles Times)
MORE: Rafael Fruhbeck de Burgos, Lynn Harrell at Disney Hall (Lawrence K. Ho / Los Angeles Times)
REVIEW: Some bright spots in a lesser ‘Madame Butterfly’ | Photos (Lawrence K. Ho / Los Angeles Times)
MORE: Opera’s ever-inquisitive Eric Owens is in high demand (Bob Chamberlin / Los Angeles Times)
Critic’s Notebook: The joys and challenges of the L.A. small-theater scene (Ricardo DeAratanha / Los Angeles Times)
MORE: Christopher Hawthorne’s On the Boulevards Project (Luis Cinco / Los Angeles Times)
MORE: George Takei builds on legacy with ‘Allegiance’ at the Old Globe (Don Bartletti / Los Angeles Times)
MORE: Emily Mann a natural to direct ‘Streetcar’ and ‘The Convert’ (Carolyn Cole / Los Angeles Times)
REVIEW: Lackluster Expo Line reflects Metro’s weak grasp of design (Mark Boster / Los Angeles Times)
MORE: James Corden, ‘One Man’ and a plethora of talent (Carolyn Cole / Los Angeles Times)
MORE: Llyn Foulkes’ art of raw emotion (Genaro Molina / Los Angeles Times)
MORE: Mickalene Thomas, up close and very personal (Al Seib / Los Angeles Times)
REVIEW: “Follies†is a source of heartache and razzmatazz (Glenn Koenig / Los Angeles Times)
MORE: Will downtown L.A.’s Grand Park succeed? | Photos (Francine Orr / Los Angeles Times)
MORE: Artist Xavier Veilhan casts Richard Neutra’s VDL House in a new light (Gary Friedman / Los Angeles Times)
REVIEW: A blazing “Red†with Alfred Molina as Mark Rothko (Gina Ferazzi / Los Angeles Times)
MORE: Lynn Nottage wants “Vera Stark†to be a conversation starter (Al Seib / Los Angeles Times)
MORE: In the Studio: Ben Jackel uses broad ax strokes (Genaro Molina / Los Angeles Times)
Review: “War Horse†at Ahmanson Theatre is a marvel of stagecraft | Photos (Kirk McKoy / Los Angeles Times)
More: A pop choreographer with a busy schedule (Ricardo DeAratanha / Los Angeles Times)
More: Hammer biennial lends artists a helping hand (Kirk McKoy / Los Angeles Times)
More: Plácido Domingo leads an uptempo life (Robert Gauthier / Los Angeles Times)
More: In the moment with Cate Blanchett (Jay L. Clendenin / Los Angeles Times)
More: Yuja Wang turns heads at the Hollywood Bowl with a purple gown Photos (Lawrence K. Ho / Los Angeles Times)
More: Jesse Tyler Ferguson takes on ‘The Producers’ at the Bowl | Review | Photos (Lawrence K. Ho / Los Angeles Times)
Review: LACMA’s new hunk ‘Levitated Mass’ has some substance | Critic’s Notebook: Art on an architectural scale at LACMA (Gina Ferazzi / Los Angeles Times)
Review: LACMA’s new hunk ‘Levitated Mass’ has some substance | Critic’s Notebook: Art on an architectural scale at LACMA (Mel Melcon / Los Angeles Times)
Review: Antic ‘Alice’s Adventures in Wonderland’ a scenic spectacle | More photos (Brian van der Brug / Los Angeles Times)
More: Q&A: Sanaa Lathan (Allen J. Schaben / Los Angeles Times)
More: Los Angeles Opera takes fresh look at Verdi’s ‘The Two Foscari’ | Review (Lawrence K. Ho / Los Angeles Times)
Review: Itzhak Perlman closes Hollywood Bowl classical season (Lawrence K. Ho / Los Angeles Times)
Review: L.A. Opera’s ‘Don Giovanni’ upholds tradition expertly | Photos (Lawrence K. Ho / Los Angeles Times)
More: Kristin Chenoweth warms up for California concerts (Carolyn Cole / Los Angeles Times)
More: Composer Andrew Norman’s imagination has taken residence (Carolyn Cole / Los Angeles Times)
More: It’’s no easy act for Felicity Huffman (Jay L. Clendenin / Los Angeles Times)
More: Sophie B. Hawkins channels Janis Joplin’s spirit in ‘Room 105’ (Luis Sinco / Los Angeles Times)
Review: Israel Philharmonic, rising above differences (Lawrence K. Ho / Los Angeles Times)
More: John Hurt plays back ‘interrupted pause’ of ‘Krapp’s Last Tape’ | Review (Anne Cusack / Los Angeles Times)
More: Teatro ZinZanni sets up a tent and fills it with elegant chaos (Lawrence K. Ho / Los Angeles Times)
More: Performance review: A down-to-Earth ‘Dirtday!’ (Lawrence K. Ho / Los Angeles Times)
More: Mark Z. Danielewski: The writer as needle and thread (Allen J. Schaben / Los Angeles Times)
More: Gustavo Dudamel’s captivating theatrics serve the music | More photos (Jay L. Clendenin / Los Angeles Times)
MORE: Doing the numbers on LACMA’s Tim Burton show (Gary Friedman / Los Angeles Times)
The Metropolitan Museum of Art has agreed to return two ancient statues to Cambodia after receiving convincing evidence they had been looted and smuggled out of the country illegally.
The 10th century Khmer statues, known as the Kneeling Attendants, have flanked the entrance to the Met’s South East Asian galleries for years and are among the museum’s most prized objects from the region.
They were acquired in fragments between 1987 and 1992 as donations primarily from Douglas Latchford, a British collector based in Bangkok who is at the center of a federal investigation of antiquities looted from the ancient temple complex of Koh Ker.
CHEAT SHEET: Spring Arts Preview
Cambodian officials announced last June that they would seek the return of the statues. At the time, Met officials said they had no information to indicate the statues were stolen.
On Friday, the Met would not release details on what information led it to decide to return the statues, but noted recent press reports and information provided by UNESCO officials, who have been investigating looting in Cambodia.
“All I can say is that sufficient evidence came to light,†said museum spokesman Harold Holzer. “It was dispositive and more than satisfied the director.â€
ART: Can you guess the high price?
The returns, which were first reported in the New York Times on Friday, come amid mounting evidence that several American museums and auction houses possess objects looted from Cambodia and other Southeast Asian countries.
The federal government is suing the auction house Sotheby’s on behalf of Cambodia for the return of a 10th century warrior statue that investigators claim was looted from the Koh Ker and illegally exported by Latchford.
Latchford allegedly knew the statue was looted and fraudulently obtained export licenses with the British auction house Spink and Son, which later sold the statue to a Belgian collector. Latchford, who could not be reached Friday, has denied the allegations.
PHOTOS: Arts and culture in pictures by The Times
In 2010, Sotheby’s was set to auction the statue for the collector in New York, despite having been told by one expert that the statue was “certainly stolen,†the government’s complaint alleges.
The U.S. attorney’s office filed a civil lawsuit in April 2012 seeking the statue’s return to Cambodia. The case in ongoing.
In a statement, Sotheby’s said Friday, “The Met’s voluntary agreement does not shed any light on the key issues in our case .... When the court ultimately addresses these questions, we expect to prevail on each.â€
Cambodian officials are also seeking the return of a matching statue, also tied to Latchford, that is on display at the Norton Simon Museum in Pasadena. Museum officials would not comment on whether the Met’s returns would affect that request, referring to a January statement in which they said they were cooperating with the appropriate authorities.
Cambodian antiquities from Latchford have also been identified at the Denver Museum of Art and the Kimbell Museum in Ft. Worth.
The Met notified Cambodian officials of their decision to return the two statues last week, and the date of the returns has yet to be decided. The museum has not contacted Latchford, Holzer said.
Experts who have followed the Sotheby’s case hailed the Met’s decision to voluntarily return the statues without litigation.
“A judge didn’t have to tell the Met to do the right thing,†said Tess Davis, an attorney who researches the illicit antiquities trade in Cambodia for the Scottish Centre for Crime and Justice Research at the University of Glasgow. “I hope that other museums -- the Norton Simon among them -- will follow the Met’s lead.â€
ALSO:
Federal agents might seize Khmer statue
MOCA’s ‘A New Sculpturalism’ faces uncertain future
National 9/11 Memorial and Museum to charge admission fee
The biggest entertainment stories
Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish.
You may occasionally receive promotional content from the Los Angeles Times.